Heritage of London Trust with support from the Jones Day Foundation and Islington Council has completed restoration of a stunning 73-ft-long Victorian frieze in Islington.
Heritage of London Trust, guests, local residents and school children visited the frieze last week.
The frieze was created in 1842 and was once set into the façade of the Hall of Commerce building in the City of London. When that building was torn down in 1922, the frieze was saved and put into storage.
In 1975, the frieze was repaired and re-installed in the newly created Battishill Gardens in Islington, and unveiled by Sir John Betjeman.
‘We are thrilled to have been able to restore this spectacular frieze,’ said Dr Nicola Stacey, Director of Heritage of London Trust.
‘The artist Musgrave Watson had had a very chequered career before he came to this commission. He’d trained at the Royal Academy, had worked for three years in Italy, and set up studio near the British Museum. But he had got few commissions to turn his plaster designs into actual stonework. He was unhappy, frustrated and living in poverty. And he was very slight, with a delicate constitution, and he suffered with ill health, anxiety and depression throughout his life.
‘But he finally managed to win this big commission “to set forth the blissful influences of commerce”. And the frieze shows off his rare talent.’
Watson died a few years after its completion, aged 42, from tuberculosis and heart failure.
Stacey also paid tribute to the work of Sir John Betjeman. ‘Sir John Betjeman was instrumental in bringing this artwork to Islington. He opened this garden in 1975, so today we celebrate the 50th anniversary of the unveiling of this frieze.’
James Grant, from Sally Strachey Conservation, was also present at the event. Stacey thanked Grant for his impressive work. ‘James has removed quite a lot of the damaging concrete infill from the 1970s and has replaced those parts with lime mortar, which matches the Portland stone.’
Islington Council has removed the railings, laid out new plants for the beds and will be working with Heritage of London Trust on an interpretation panel to accompany the frieze.